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Contenu

H. Danuser/H. Zimmermann: Miltifarious Rites of Passage
L. Garafola: Diaghilev's Ballets Russes: A New Kind of Company
P. Griffiths/E. Griffiths: The Shaman, the Sage, and the Sacrificial Victim
E. Buch: The Scandal at "Le Sacre"
T. Bleek: "... de la musique sauvage avec tout le confort moderne!"
A. Meyer: Disrupted Structures
C. Jeschke: "... retrouver la source de variété..."
S. Walsh: Remembering "The Rite of Spring" ot "Ce que je n'ai pas voulu exprimer dans "Le Sacre du printemps"
D. Schiff: Everyone's Rite
J. Cross: Rewriting "The Rite: Creative Responses to "Le Sacre du printemps"
S. Jordan: Le Sacre du printems
S. Savenko: Vesna svyashchennaya in Its Homeland
A. Stollberg: "sim not dim"
J.W. Bernard: Le Sacre Analyzed
R. Piencikowski: Boulez's Rite
J. Assmann: The Cultural Memory of "Le Sacre du printemps"
H. Münkler: Mythic Sacrifices and Real Corpses
J.E. Bowlt: Kingdom of Mystery
R. Taruskin: How "The Rite" Became Possible
Appendices: F. Meyer: Cronology
Bibliography
Credits
Contributors
Index