Partitions

Ensemble

Trio De Trompettes Formation : Musique de Chambre, Trio - Instrumentation :Trio de Trompettes : 3 Trompettes Sib - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 1 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON

Trio De Bassons Formation : Musique de Chambre, Trio - Instrumentation :Trio de Bassons : 3 Bassons - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON

Quatuor A Cordes The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 #3, in which Schubert later once again took up the beautiful melody.

Trombone Et Orgue

A revised 1977 edition of Schubert's Mass In G For soprano, tenor and bass soli, SATB chorus, strings and organ. Optional wind and timpani.

1 Ou 2 Violoncelle(s) Et Piano

Trio De Flûtes Formation : Musique de Chambre, Trio - Instrumentation :Trio de Flûtes : 3 Flûtes - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 1 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON

Trio De Violoncelles Formation : Musique de Chambre, Trio - Instrumentation :Trio de Violoncelles : 3 Violoncelles - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 45 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON

Composed in 1823 but not performed during his lifetime, Franz Schubert's Fierabras is a 'number opera” with spoken dialogue in the manner of opéra comique. It is based on the medieval legends associated with Charlemagne, including that of Eginhard and Emma, and draws on the old French heroic epic (chanson de geste). Emma, the daughter of Charlemagne secretly loves the knight Eginhard who is not befitting of her rank. The heathen Moorish prince Fierabras who, after being defeated by Charlemagne, falls into French captivity and converts to Christianity, is also in love with Emma. His sister Florinda on the other hand loves the Franconian knight Roland who is being held prisoner by the Moors and whom she helps to escape. After several military conflicts where Charlemagne's army finally conquers the Moors, the lovers reunite. Only Fierabras who is reprieved, renounces his love and accepts the liaison between Emma and Eginhard. - Urtext edition based on the 'New Schubert Edition” - Detailed foreword (Ger/Eng) by Christine Martin, including information on the work's genesis, reception and performance history - Uncluttered idiomatic piano reduction

Saxophone Et Orgue

Matériel D'Orchestre

Violoncelle Et Piano Der Cellist Friedrich August Kummer gehörte zu den bekanntesten Virtuosen des 19. Jahrhunderts. Unter seinen zahlreichen Kompositionen, Bearbeitungen und Konzertparaphrasen finden sich diese eingängigen Bearbeitungen von Schubert-Liedern. Die vorliegende Ausgabe vereint die beliebtesten, darunter bekannte Lieder wie 'Die Forelle', 'Die Ungeduld', Ständchen, „Wanderers Nachtlied' und vieles mehr. Die Bearbeitungen sind gut spielbar für das Cello eingerichtet und dankbare Konzertstücke.

3 Trombones Formation : Musique de Chambre, Trio - Instrumentation : 3 Trombones - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON

Voix Hautes Et Piano In spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten ' of 1824. As a result, he set the twelve further poems as a separate group, partly paraphrasing the songs in the first part and partly continuing them. The appendices also contain four songs - ' Wasserflut ”, ' Rast ”, ' Mut ” and ' Der Leiermann ”- in Schubert's original keys before they were transposed down a tone by him or his publisher Haslinger . - Famous song cycle, taken from the practical Complete Edition of Schubert Lieder, Volume 3 - Foreword by Walther Dürr discussing the history of the work's composition and sources (Ger/Eng) - With an English translation of the song texts by Richard Wigmore

Brass Quartet, 2 Trompettes Et 2 Trombones

Piano 4 Mains Franz Schubert (1797-1828) fut l'un des compositeurs les plus prolifiques de la musique de piano d'ensemble. Certaines de ses oeuvres les plus populaires pour piano à quatre mains (pour un piano à quatre mains) sont inclus dans cette collection.

Voix Haute The new Urtext edition of Schubert's lieder edited by Walther Dürr continues with volume 7, presented in separate volumes for high, medium, and low voice. This new volume contains the lieder that Schubert composed between May and August 1815, including his setting of Schiller's ballad 'Die Bürgschaft” (D 246). - Based on the Urtext of the 'New Schubert Edition” - Clear, well-presented engraving - Foreword by Walther Dürr (Ger/Eng) on the genesis and history of the work as well as an explanation of the sources for each individual lied - Includes English translations of the lieder texts by Richard Wigmore

Trio De Tubas Formation : Musique de Chambre, Trio - Instrumentation :Trio de Tubas : 3 Tubas - Niveau de Difficulté : 2/6 - Facile - Durée : 0 mn 35 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON

Schubert composed his great Piano Sonata in A major just a few months before his untimely death in 1828. The balance this work strikes between lyrical melody, emotional intimacy and pianistic brilliance makes it a highlight among his sonatas, not least because of its poetic 'Andantino”. This scholarly-critical edition by Walburga Litschauer is based on the Urtext of the 'New Schubert Edition” and uses the autograph manuscript as the prime source. The edition is rounded off by a new foreword, valuable notes on performance practice as well as a Critical Commentary with information on performance-relevant alternative readings and Schubert's notation of accents. Schubert's drafts of the A major Sonata can be accessed on Bärenreiter's website. - Edited on the basis of the 'New Schubert Edition” - Newly engraved scholarly-critical performing edition - Notes on performance practice (Ger/Eng) - Access to Schubert's drafts on the Bärenreiter website - New foreword (Ger/Eng) and a Critical Commentary (Eng)

Violon Et Piano

Une belle sélection de chefs-d'oeuvre les plus célèbres de Franz Schubert, composée pour ou arrangées pour piano solo. Un complément indispensable à votre bibliothèque Piano, le livre est fourni avec 2 CD de performance à part entière.

Divers

Voix Et Piano

Trio De Bassons Formation : Musique de Chambre, Trio - Instrumentation :Trio de Bassons : 3 Bassons - Niveau de Difficulté : 2/6 - Facile - Durée : 0 mn 35 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON

Voix Moyenne(s) As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first - 'Hagars Klage' (D 5), dated 30 March 1811 - is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811-1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied', D 23), which - the only one of these songs - was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ('Des Teufels Lustschloss', D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the 'New Schubert Edition' - Foreword by Walther Dürr discussing the history the works' composition and transmission, together with a list of sources for each song (Ger/Eng) - English translation of the song texts by Richard Wigmore Contents: Hagars Klage, D 5 / Leichenfantasie, D 7 /Der Vatermörder, D 10 / Klaglied, op. post. 131, 3 - D 23 / Misero pargoletto, D 42 (high voice only) / Totengräberlied, D 44 / Die Schatten, D 50 / Verklärung, D 59 / Pensa che questo istante, D 76 (medium and low voice only) /Der Taucher, D 77 / Son fra l'onde, D 78 (high voice only) /Adelaide, D 95 / Trost. An Elisa, D 97 /Erinnerungen, D 98 / Andenken, D 99 /Geisternähe, D 100 / Erinnerung, D 101 /Die Betende, D 102 / Die Befreier Europas in Paris, D 104 /Lied aus der Ferne, D 107 (1st version) / Lied aus der Ferne, D 107 (2nd version) / Der Abend, D 108 / Lied der Liebe, D 109 /Romanze, D 114 (1st version) / Romanze, D 114 (2nd version) /An Laura (als sie Klopstocks Auferstehungslied sang), D 115 / Der Geistertanz, D 116 / Appendix (lower transpositions of the songs only in high ranges): Die Schatten, D 50 / Adelaide, D 95

Violoncelle Et Piano Franz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. Today, the piece has become a standard work for violoncello and piano, an instrumentation chosen for the present edition as well. For the few players of an arpeggione, a solo part is available at www.wiener-urtext.com [1]. The edition follows, for the most part, the text of Schubert's extant autograph.

Voix Seule